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Night Breeze Oboe
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Vous avez sélectionné:
Night Breeze Oboe
Partitions à imprimer
6 partitions trouvées
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Night Breeze - Oboe & Piano
Night Breeze - Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Night Breeze - Oboe & Pian
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James M Stevens Music ASCAP
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.574158 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Multicultural,...
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Oboe,Piano - Level 3 - SKU: A0.574158 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Multicultural,New Age,Wedding,World. Score and part. 8 pages. James M Stevens Music ASCAP #6318417. Published by James M Stevens Music ASCAP (A0.574158). Written March 3, 2021, this is an original oboe & piano composition in a the key of A minor. There is a separate oboe part in the score and the piano part as seen can serve as an independent solo. The track as heard can be found at Sheet Music Plus under Night Breeze Piano Track with added ambient orchestration. There is also a piano only track available at Sheet Music Plus under Night Breeze PIANO ONLY Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99
Night Breeze - Oboe & Piano
Night Breeze - Oboe & Piano
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Hautbois, Piano (duo)
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James Michael Stevens
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James Michael Stevens
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Night Breeze - Oboe & Pian
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James M Stevens Music ASCAP
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SheetMusicPlus
Oboe,Piano - SKU: A0.1062872 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Wedding,World. Full Performance....
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Oboe,Piano - SKU: A0.1062872 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Wedding,World. Full Performance. Duration 125. James M Stevens Music ASCAP #6318413. Published by James M Stevens Music ASCAP (A0.1062872). This is the oboe and piano demonstration performance of Stevens' Night Breeze.
$1.99
"Six Short Stories" - for Woodwind Quintet (1996)
"Six Short Stories" - for Woodwind Quintet (1996)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Lior Navok
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Oboe
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"Six Short Stories"
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Lior Navok Music
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.976045 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 32 pages....
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.976045 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 32 pages. Lior Navok Music #4727437. Published by Lior Navok Music (A0.976045). SIX SHORT STORIES FOR WOODWIND QUINTET (1996)INSTRUMENTATION: Flute / Piccolo; Oboe; Clarinet; Bassoon; HornDURATION: 12 Minutes. PROGRAM NOTES: The composer writes about his work: The woodwind quintet is one of my favorite mediums: the individual personality of each musical instrument on one hand, and the homogeneity that can skilfully be achieved on the other hand, stimulated my imagination for a long time. The titles of the movements represent my own plot thoughts and associations behind each story: The First is a meeting of five friends willing to play together while one of them is being considerably late. The second is my association to a native ceremonial dance. The third, reminds me of a light breeze on a lazy summer night, while sitting on front of the porch. The fourth describes a person gazing at the fire flames, controlled like a marionette by the wind. The fifth is a sinking / floating memory, and last, a discussion about how a fugue should sound. Nevertheless, this is only my view of the music. I would like to invite the listeners to find their own association, and create their individual stories.MOVEMENTS: 1. The Meeting2. Native Dance3. Air4. Fire Dance5. Longing (Sinking and Floating Memory)6. 1+1=11 (Introduction and Fughetta)INFO: Item: Full ScoreEdition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok MusicPages: 32 Paper Size:DIN A4 / Letter
$16.00
"Six Short Stories" - for Woodwind Quintet (1996) [Set of Parts]
"Six Short Stories" - for Woodwind Quintet (1996) [Set of Parts]
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Lior Navok
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Oboe
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"Six Short Stories"
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Lior Navok Music
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.976044 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 75 pages....
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.976044 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 75 pages. Lior Navok Music #4727435. Published by Lior Navok Music (A0.976044). SIX SHORT STORIES FOR WOODWIND QUINTET (1996)INSTRUMENTATION: Flute / Piccolo; Oboe; Clarinet; Bassoon; HornDURATION: 12 Minutes. PROGRAM NOTES: The composer writes about his work: The woodwind quintet is one of my favorite mediums: the individual personality of each musical instrument on one hand, and the homogeneity that can skilfully be achieved on the other hand, stimulated my imagination for a long time. The titles of the movements represent my own plot thoughts and associations behind each story: The First is a meeting of five friends willing to play together while one of them is being considerably late. The second is my association to a native ceremonial dance. The third, reminds me of a light breeze on a lazy summer night, while sitting on front of the porch. The fourth describes a person gazing at the fire flames, controlled like a marionette by the wind. The fifth is a sinking / floating memory, and last, a discussion about how a fugue should sound. Nevertheless, this is only my view of the music. I would like to invite the listeners to find their own association, and create their individual stories.MOVEMENTS: 1. The Meeting2. Native Dance3. Air4. Fire Dance5. Longing (Sinking and Floating Memory)6. 1+1=11 (Introduction and Fughetta)INFO: Item: Set of PartsEdition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok MusicPages:75 Paper Size:DIN A4 / Letter
$18.00
Six Welsh Folk Songs for Voice and Piano
Six Welsh Folk Songs for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Traditional
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Colin Kirkpatrick
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Six Welsh Folk Songs for Voice
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Colin Kirkpatrick Publications
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.522222 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Holiday. Score. 21 pages. Colin Kirkpatrick Pu...
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Piano,Vocal,Voice - Level 3 - SKU: A0.522222 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Holiday. Score. 21 pages. Colin Kirkpatrick Publications #3913261. Published by Colin Kirkpatrick Publications (A0.522222). These folk song arrangements are written in the Welsh language. The vocal range is from Middle C to F on the top line of the staff. They are suitable for mezzo soprano and could also be sung by tenor voice an octave lower. They are among some of the most popular folk songs of Wales and sure to be well received at a vocal recital. They would also make excellent encore pieces. For copyright reasons, English translations are not provided, although some are to be found on various web pages. 1. Y Ddau Farch (The Two Mares) The song tells the story of two horses. The older one tells the younger, “In my day I was as good a horse as youâ€. But when I became too old to work, I was sent away to the mountains. She vows never to return to her cruel owners. This is an example of a macaronic song in which the lyrics use more than one language. 2. Si Hei Lwli, ’Mabi (Sleep, my Lovely Baby) In this pentatonic lullaby, a mother tells her child that their ship is moving away, the captain is on board, the eastern wind is blowing and the seagull is on its nest. 3. Canu Cwnsela (Wassail Song) The singers ask permission to come in and sing for their dinner. But they seem to have chosen the wrong house because the reply is: “I have no dinner or money to spend, to give you a welcome tonight.†The melody is in the Dorian Mode. 4. Robin Ddiog (Lazy Robin) The song, also in the Aeolian mode is about a robin whose little house is always tidy. “Open the door a little bit, so that I can see the sea and the waves†he asks. When the door is opened, the breeze sweeps away all the leaves from the floor. 5. Migildi Magildi “When the smithy’s door is open, we can see the blacksmith working.†The song describes the sights and sounds of the blacksmith’s workshop.You can hear all the songs in the audio demo, though they are played by an oboe rather than sung.
$9.95
In the Bleak Midwinter
In the Bleak Midwinter
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Piano seul
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AVANCÉ
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Noël
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Michael Swedberg
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Terrence Niska
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In the Bleak Midwinter
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1125813 By Michael Swedberg. By Gustav Holst. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages....
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Piano Solo - Level 5 - SKU: A0.1125813 By Michael Swedberg. By Gustav Holst. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726553. Published by Niska Music Publishing (A0.1125813). Another arrangement that had its genesis as a vocal chart for Five By Design. However, this piece went on to be performed in our holiday show, “A Winter’s Evening.†I have always loved the Gustav Holst melody to Christina Rossetti’s poem, subsequently it was that setting that I chose to arrange for our group. When I was selecting pieces for my second collection of Christmas Preludes, I knew this would be among them. The piece starts out quite gently, and in my mind’s ear I hear a cello and oboe establishing a mood of utter serenity and calm as the snow gently falls outside the frost-covered window. Soon the oboe is joined by a clarinet as they play a duet while the cello continues the gentle sway of eighth notes. For the pianist, there must be great control of the left hand to keep it as calm as possible while the melody floats above, just as the snow falls to the earth. As the second verse begins, the right hand now plays a triplet pattern beneath the melody. It is a gentle breeze, stirred by the wings of angels and cherubim, upon which the crystalline flakes swirl and dance in the cold night air. All the while the left hand continues its steady motion of eighth notes. Halfway through the triplet pattern moves to the left hand and the right hand takes up the eighth notes while still keeping the melody above all. The verse comes to a close with a slowing of the tempo to emphasize the importance of what the poet states in the last lines of the poem: “Yet what I can I give Him, — Give my heart.†It is all that any of us can do, and all that we are asked to do.
$3.99
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